Highlighted rows differ between the two models.
| Specification | Blackmagic Design URSA Mini Pro G2 4.6K - Monture Canon EF | RED Digital Cinema RED Komodo 6K |
|---|---|---|
| Type | ||
| Type | Cinema mirrorless | Cinema mirrorless |
| Sensor | ||
| Sensor format | APS-C | APS-C |
| Resolution (MP) (difference) | 10 MP | 20 MP |
| Mount | ||
| Mount (difference) | Canon EF | Canon RF (RED) |
| Performance | ||
| Video (difference) | 4.6K 120 BRAW | 6K 40 REDCODE RAW |
| IBIS | No | No |
| Build | ||
| Release year (difference) | 2019 | 2020 |
| Price (€) | €6,000 | €6,000 |
Pick the RED Komodo 6K if you need higher resolution (6K vs. 4.6K) and future-proofing for professional workflows, despite the higher price. The Blackmagic URSA Mini Pro G2 stays the better choice if budget is tight or if 4.6K resolution and BRAW codec meet your project requirements without needing extra resolution. Both lack stabilization, so decide based on resolution needs and cost.