Highlighted rows differ between the two models.
| Specification | Blackmagic Design URSA Mini Pro G2 4.6K - monture PL | RED Digital Cinema RED Komodo 6K |
|---|---|---|
| Type | ||
| Type | Cinema mirrorless | Cinema mirrorless |
| Sensor | ||
| Sensor format | APS-C | APS-C |
| Resolution (MP) (difference) | 5 MP | 20 MP |
| Mount | ||
| Mount (difference) | ARRI PL | Canon RF (RED) |
| Performance | ||
| Video (difference) | 4.6K 120 BRAW | 6K 40 REDCODE RAW |
| IBIS | No | No |
| Build | ||
| Release year (difference) | 2019 | 2020 |
| Price (€) (difference) | €6,500 | €6,000 |
Pick the RED Komodo 6K if you need higher resolution (6K vs. 4.6K) and a more recent sensor for professional workflows, despite the higher price. The Blackmagic URSA Mini Pro G2 stays the better choice if budget is a priority or if 4.6K resolution and BRAW codec meet your production needs without requiring 6K output. Both lack in-body stabilization, so decide based on resolution and price alone.